The S.M.H. aesthetic

Taking a break from RPG stuff for a moment, I really want to talk about a particular vibe or scene in mostly-1990s Japanese art that I've come to think of as the "S.M.H. aesthetic". There might be a proper name for this whole look, but I experienced it most strongly from a Japanese magazine called S.M.H. (for "Sensational Model & Hobby").

This was a hefty tome of a periodical, over 130 pages an issue, coming out seasonally. It featured loads of art—most notably sculptures of cool monsters and robots—as well as articles about model kits, music, toys, comics, etc. Its vibe might be described as "otaku but grown up and cool and kinda punk". I'd ogle it for what now feels like an embarrassing amount of time at Anime Crash, but never actually bought an issue. It was pretty expensive and all in Japanese; I just couldn't justify it to myself.

The punchline here, of course, is that old S.M.H. issues are way more expensive now, and I wish I'd bought 'em all back then! Ah, well. There's one fully scanned issue on the Internet Archive, if you want a look.

Anyway, a lot of the sculptures and art in there had an aesthetic that still feels really distinct and powerful to me. It's exemplified by the work of all-time greats like Yasushi Nirasawa, Kentaro Miura, Keita Amemiya, Takayuki Takeya, and Tsutomu Nihei . . . as well as lots of folks I can't name because I never bought all those magazines.

Amemiya's absolute banger Zeiram predates the magazine by four years and pretty much remains the greatest expression of the aesthetic in my book. I believe it's got its roots in earlier works like Bio-Booster Armor Guyver, Kamen Rider (especially the series where the design went all biological), and even some western stuff like Alien and Hellraiser. A bunch of model, toy, and figurine lines—like Fewture and Bandai's S.I.C. stuff—were vital participants. Weirdly, I'd say Tool videos and Aurelio Voltaire's Chi-Chian comics/animation project are also sorta connected.

But of course I'm really just explaining all of this because I want to show off a bunch of cool images.

So S.M.H. released its last issue in August 2000, but the aesthetic continues. Amemiya went on to make many, many Garo movies and TV shows, and that whole thing is very S.M.H.-aesthetic. Takayuki Takeya also worked on Garo, as well as loads of Kamen Rider shows. And of course Tsutomu Nihei has been doing insanely rad stuff; Blame! is kind of a household name at this point. There's also an S.M.H. successor magazine (from the same publisher) called H.M.S. ("Hidden Models and Sculptors").

And, seriously, I don't think my beloved Warframe would exist without the S.M.H.-aesthetic works of the '90s and '00s.

Anyway, there are other artists carrying on the aesthetic these days, too! Including some folks outside Japan!

That's right, I'm throwin Tom Bloom of Lancer fame in there. This ended up being a little RPG-relevant after all!